Osrs high alch calculator

In today's digital era, Pay-Per-Click (PPC) advertising has become an essential tool for businesses to reach their target audience and drive conversions. By investing in PPC services, businesses can display their ads on search engines and other platforms, paying only when users click on their ads. However, to ensure the effectiveness of PPC campaigns, it is crucial to track the right metrics. This article aims to highlight the key metrics that businesses should monitor to measure the success of their PPC campaigns, particularly for those utilizing PPC services in Bangalore.
Click-Through Rate (CTR):
Click-Through Rate is a fundamental metric that indicates the percentage of users who clicked on your ad after seeing it. A high CTR signifies that your ad is relevant and engaging to your target audience. It reflects the effectiveness of your ad copy, ad placement, and targeting strategies. Monitoring CTR helps businesses gauge the initial level of interest generated by their PPC campaigns.
Conversion Rate (CR):
Conversion Rate measures the percentage of users who completed a desired action, such as making a purchase, filling out a form, or subscribing to a service, after clicking on your ad. A high conversion rate indicates that your PPC campaign is successfully driving the intended actions. Tracking CR helps businesses evaluate the relevance and persuasiveness of their landing pages, ad messaging, and overall user experience.
Cost Per Click (CPC):
Cost Per Click represents the average amount of money you pay each time a user clicks on your ad. Monitoring CPC is crucial for businesses to ensure cost-effectiveness and allocate their PPC budget efficiently. By analyzing CPC, businesses can identify opportunities to optimize their campaigns, refine their keyword targeting, and adjust their bidding strategies.
Return on Ad Spend (ROAS):
Return on Ad Spend calculates the revenue generated for every dollar spent on PPC advertising. ROAS is a critical metric for businesses to assess the profitability of their campaigns. A high ROAS indicates that the PPC campaigns are generating substantial revenue compared to the investment made. By tracking ROAS, businesses can make data-driven decisions about their PPC budget allocation and optimize their campaigns to maximize returns.
Quality Score (QS):
Quality Score is a metric assigned by search engines like Google to evaluate the relevance and quality of your ads and keywords. It takes into account factors such as click-through rate, ad relevance, and landing page experience. A higher Quality Score leads to better ad rankings and lower costs. Monitoring QS helps businesses identify areas for improvement in their PPC campaigns, such as optimizing ad copy, refining keyword selection, and enhancing landing page experiences.
Return on Investment (ROI):
Return on Investment measures the overall profitability of your PPC campaigns by considering the revenue generated and the cost incurred. ROI provides a holistic view of the campaign's success and helps businesses evaluate the effectiveness of their advertising efforts. By calculating ROI, businesses can make informed decisions about the viability of their PPC campaigns and compare their performance against other marketing channels.
Conclusion:
PPC advertising has emerged as a powerful tool for businesses in Bangalore to reach their target audience and drive conversions. To ensure the success of PPC campaigns, it is crucial to track the right metrics. By monitoring metrics such as Click-Through Rate, Conversion Rate, Cost Per Click, Return on Ad Spend, Quality Score, and Return on Investment, businesses can gain valuable insights into the performance of their PPC campaigns. With this data-driven approach, businesses utilizing PPC services in Bangalore can optimize their campaigns, maximize their return on investment, and achieve their advertising goals effectively.

I've searched this subreddit for similar topics, but none of them really answered the questions I have.
My (DE) wife and I (US) have an old car that was re-ended and destroyed. We need to buy a new (used) car and I'm unsure of what to expect. It's the first time doing this for the both of us. (She inherited our car from her grandfather, and I've never purchased a car in Germany before). We are looking exclusively at buying from a dealership and only cars with a full service history and a guarantee.
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1. Is it ok to haggle? How much? (I realize this really depends, but I have no idea how to haggle or what's reasonable. It just seems like such ridiculous social theatre to have to go through this song and dance to find the real price)
2. If I need to haggle, how can I find out the value of a car? Auto24 and mobile.de both have indicators of how good of a deal a price point is, but I don't think I have a way of looking at how that info is calculated. I remember in the US there was a thing called a "Blue Book", which listed the price of cars, but I don't know the analog to that here.
3. What can I expect when I go to a dealership? My only point of reference is pushy/sleezy car salesmen in the US, so I don't know what to expect.
4. If I ask to take a test drive of a car, how does this typically go? Do I need to provide them anything besides my driver's license? How long can you typically test drive a car for? Will someone from the dealership sit in the car with me as I drive it? I'd like to get a feel for how a car drives around a city, rural roads, and what the wind noise is like on the autobahn, so I'd ideally like to do all of that.
5. Is it common to have a trusted mechanic look at a car first if you are buying it from a reputable dealership and there is a guarantee? We have a mechanic we trust, but I don't know how we would arrange to have them look at the car. Some of the car dealerships we are looking at are over 150km away from where we live and I don't imagine it'd be possible to drive the car back to our mechanic for a day or for them to drive out to see the car.
6. If we decide we want to buy the car, what happens next with insurance and registration? We currently have our old (destroyed) car registered and with insurance under my wife. We would like to keep the new car registered and insured with my wife as well. I know we need to de-register the old car before it is taken away, but can we also register a new car at the same time and same appointment as de-registering the old car? (I know this might depend on the location, we're in Berlin, so my hopes are not high that we could efficiently do both at the same appointment)
7. How is payment typically handled? We have savings and want to buy the used car outright, no financing or anything like that. Is it typically just a bank transfer with a reference number or something so the dealership knows it's us paying for the car? That might take 1-2 days to actually transfer - which leads me to my next question:
8. How long does this process typically take? I know in the US you could walk into a dealership with cash and leave with a car, but I can't imagine that would work here because of the bureaucracy. I'm expecting something like 2-4 days from the point of saying "I would like to buy this car" to the point where we can drive it off the lot? (Though that might also depend on how quickly we can de-registeregister our cars at the relevant authorities in Berlin, and getting any kind of amt appointment in Berlin is a nightmare)
9. Is there anything in particular we need to watch out for or be aware of? I'm hoping that by going to a large dealership with lots of positive ratings that we will be fine and they won't try and screw us, but the cliché of the unethical used car salesman is burned into my mind and I want to be careful.

Intro/Summary:
I've found myself in a very fortunate position: I have a much higher salary than I anticipated when graduating (due to switching to a more lucrative career path), and with the increasing interest rates it seems to now be a no brainer to pay off my student loan in full ASAP. All considered scenarios seem to come out on top (see bottom of post for detail), with a rough 10-12 year wait until I make back the money with the saving of not making any more monthly repayments.
Simple question: Shall I do it? Thanks in advance for your time and opinions!
Context:

• Graduated 2017
• Plan 2, Loan balance of £66,360.86
• As far as I understand it, interest rate is RPI + 3% with a current cap of 7.1%. RPI announced at March applies from September onwards.
• Salary £73k base, market rate for my current role is around £85k so there's some room for immediate growth (with a job change)
• Average salary increase since starting work has been 18% (albeit that includes a career switch to a more lucrative career path, starting base at graduation was £27.5k)
• Enough money in a S&S ISA to pay off student loan in full today
• I rent and don't own any property
• Current annual repayments of around £4k

What i've considered so far:

• I've read the wiki page
• I've looked at how the interest rate is calculated
• Will I need the money soon? - No: I have money in a LISA for when I want to buy a house, I'm still pretty young, I don't plan on having a big, expensive wedding or children in the next 5 years. My dad is on the older side (some of the ISA money could be for a care home were he to fall ill and require care), but it's not an immediate pressure yet, but would be if i were making this decision in 10 years.
• Moving abroad to EU (which I will be doing 100% certain in the next 3 years) doesn't impact the repayment threshold too much.
• Overpayments without paying off in full today would just delay any benefits as i'd still be making the full annual repayments, just for a shorter time period. EDIT: scenario added below as it's not as clear cut as I originally thought
• Used all the recommended calculators, ending up on this one.
• Using the repayment calculator i've done a few scenarios:

1. Conservative (3% salary growth, 3% interest rate from 2025) - Pay off loan in 2042 with total repayments of £96.6k, discounted to today would be £67.2k (>£66.3k current loan value)
2. Realistic (IMO) (7% salary growth, 6.9% interest now, 7.1% till 2026 then taper down to 5% at 2030) - Pay off loan in 2038 with total repayments of £112k, discounted to £81.4k (>£66.3k current loan value)
3. High salary, low interest (10% salary growth, 3% interest rate from 2025) - Pay off loan in 2034 with total repayments of £87.8k, discounted to today would be £69.2k (>£66.3k current loan value)
4. Low salary, high interest (3% salary growth, 6.9% interest rate from 2025) - Pay off loan in 2047 with total repayments of £137.2k, discounted to today would be £84.3k (>£66.3k current loan value)

EDIT:

1. Overpayment with monthly savings of £1k (5% salary growth, 6% interest rate from 2024) - Pay off loan in 2028 with a total repayments of £78.9k, discounted to today would be £74.7k (>£66.3k current loan value)

I retired recently from the AF. I'm ashamed to say that I got demoted because of something stupid and avoidable. Anyway, I noticed that my high-3 is based on my lower rank instead of the higher rank which I held for more than 3 years. DFAS said they can't help me. Who do I need to contact to get this corrected?
Thanks all!

Chat GPT made this banger analysis of the ending scene:
The ending scene of "Heat" can be analyzed from a nihilistic or randomness/chaos perspective, shedding light on the underlying philosophical themes present in the film. In this scene, Neil (Robert De Niro) and Vincent (Al Pacino) engage in a final showdown, encapsulating the essence of their opposing lives and ideologies.
From a nihilistic perspective, the ending scene portrays the inherent meaninglessness and unpredictability of life. Despite their divergent paths, both Neil and Vincent are ultimately trapped within a chaotic and indifferent universe. The shootout serves as a culmination of their struggles, emphasizing the arbitrary nature of their choices and actions. In this nihilistic lens, the scene suggests that their endeavors, whether criminal or lawful, are ultimately futile and devoid of inherent purpose. The violence and destruction that ensue reflect the chaotic and indifferent nature of existence itself, where outcomes are not determined by any grand design or guiding force.
From a randomness/chaos perspective, the ending scene highlights the unpredictable and uncontrollable nature of life. The shootout unfolds in a whirlwind of chance and circumstance, with factors such as timing, positioning, and individual decisions playing crucial roles in determining the outcome. This perspective emphasizes the role of randomness and chaos in shaping human lives and experiences. Neil and Vincent, despite their meticulous planning and calculated actions throughout the film, find themselves subject to the whims of chance and unforeseen events. This interpretation suggests that the universe operates without any predetermined order or structure, and individuals are mere pawns in a larger game of randomness.
Both the nihilistic and randomness/chaos perspectives converge in the ending scene to underline the film's underlying themes. The scene portrays the fragility of human existence, where life and death can hinge on a moment of chance or a random twist of fate. It serves as a reminder of the precariousness of human endeavors and the absence of any inherent meaning or control. In this interpretation, the ending scene of "Heat" resonates with existential questions about the purpose and significance of human existence, ultimately leaving viewers with a sense of the profound uncertainty and randomness that permeate the human condition.
_______________
Neil's dream in "Heat" revolves around the recurring theme of drowning and running out of time. This dream symbolizes Neil's underlying fear of being trapped and unable to escape his criminal lifestyle. The feeling of drowning represents his struggle with the consequences of his choices and the relentless pursuit of law enforcement. The dream's emphasis on time running out reflects Neil's awareness of the limited lifespan of his criminal career and the impending doom that looms over him. It signifies his recognition that the choices he has made may ultimately lead to his downfall. This dream serves as a reflection of Neil's internal conflict and highlights his longing for an alternate path, free from the imminent danger and the pressures of his criminal endeavors.
Hanna's dream, in contrast, depicts him sitting at a table surrounded by the ghostly figures of people he has encountered throughout his career as a detective. This dream symbolizes Hanna's preoccupation with his past cases and the weight of responsibility he feels for the lives affected by his work. The ghostly figures represent the lingering impact of the crimes he investigates, haunting his thoughts and perpetuating his sense of duty. The dream emphasizes the emotional toll that Hanna's job takes on him, blurring the line between the personal and the professional. It underscores the sacrifices he has made in the pursuit of justice and the psychological burden he carries. Hanna's dream acts as a poignant exploration of the ethical complexities inherent in law enforcement and the lingering effects it can have on an individual's psyche.
The significance of these dreams lies in their ability to delve into the characters' subconscious minds, revealing their deepest fears, conflicts, and desires. Neil's dream highlights his longing for an escape from his criminal life, while Hanna's dream exposes the psychological weight he carries as a dedicated detective. These dreams add depth to the characters and enrich the film's exploration of themes such as the consequences of choices, the pursuit of personal fulfillment, and the toll of one's profession. By incorporating these dream sequences, "Heat" provides a window into the characters' inner lives and invites viewers to contemplate the complexities of human existence and the internal struggles that shape their actions and motivations.
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Furthermore, Watts underscored the interconnectedness of all things, emphasizing that individuals are not separate entities but rather interconnected players in the larger cosmic game. In "Heat," this interconnectedness is portrayed through the intricate web of relationships and encounters between characters. The actions of one character have ripple effects that impact others, highlighting the interdependent nature of their lives. Neil and Vincent, despite being on opposing sides of the law, find themselves entangled in a complex and fateful encounter that transcends their individual roles. This interconnectedness echoes Watts' belief that every player in the game of life is intricately connected and influences one another's journeys.
Moreover, Watts encouraged individuals to approach life with a sense of spontaneity and playfulness, embracing the present moment rather than fixating on future outcomes. In "Heat," the characters find themselves navigating high-stakes situations, where split-second decisions can have life-altering consequences. The film's intense and suspenseful sequences capture the urgency and improvisational nature of life's game, where individuals must adapt and respond to ever-changing circumstances.

I am new to survival analysis. I want to find proteasome genes that significantly impact survival in Kidney renal carcinoma. I have downloaded KIRC (Kidney Renal) dataset from TCGA . I am using TCGAbiolinks package for all my preprocessing on my dataset. I performed DEA and shortlisted proteasome genes I found in the DEGs. logFC cutoff for DEA was 0.5. I got 38 proteasome DEGs which i then used as input for multiple variate cox proportional hazard model in R, My survival time is days_to_last_follow_up and event is vital_status (alive or dead). I narrowed down to the most significant genes according to p-value from the results. I calculated z-scores for the significant genes only and classified them into high, mid and low based on the z-scores, I then ran Kaplan meier using these genes to find the survival probability and plotted kaplan curve. All analysis was done using survival and survminer packages in R. I am not sure if this approach is logically correct and comprehensive. I have not had any proper guidance. Any guidance and corrections would be very helpful.
Thankyou.

• Race: Latina
• Meds: Bupropion 150mg, Folic Acid 1Mg
• Don't drink or smoke
• Medical Conditions: Amblyopia of the left eye since I was a toddler. Covid Long Hauler.

I've been having new issues with my eyes for about a year now. I'm experiencing redness, dryness, blurriness, pain around the eyes, tearing, and in general I feel like my eyesight is getting worse. This is happening on both eyes but it's much worse on my left eye.
I've had Amblyopia of the left eye since I was a 2 years old (corrected with glasses) but this doesn't seem related.
Back in December I finally went to a new Opthalmologist. She ran a few tests and did not seem concerned. Apparently I have high eye pressure...but she just asked me to come back in 6 months. I was relived but unfortunately my symptoms are not getting better. I was doing a bit of research and it seems like these could be symptoms of glaucoma. Now I'm feeling kinda worried...especially because of the pain around my eyes. They feel sore.
Below I copied and pasted her assessment after she ran the tests:
1.Amblyopia OS

• Vision is best corrected to 20/25+
• Update Rx for glasses

2.Bilateral ocular hypertension

• No FH of glaucoma
• The IOP today was 20/23
• Pachs are 620/622 (calculated IOP is -6 OU)
• OCT RNFL preformed today shows no thinning OU
• Discussed need for repeat IOP+ VF

Is high eye pressure as dangerous as I've been reading? I have an appointment in a few weeks but I'm considering getting a second opinion instead.

Need to know knowledge that can protect the species. This message is limited knowledge, formal debriefing is scripted elsewhere however, the common knowledge basis for intelligence findings & immediate persistent communications help to find new evidence where topics that have less information get covered and we loose intel. So let me start by saying we found nothing positive in our Area 54 Pentagon findings, something very troubling is happening & we have been working diligently directly with Central Intelligence to provide coverage for the entirety of our home planet, planet earth.
This message is limited in time framing due to immediate threats in viral scripting repeater technologies, the topic of the computerized brain module (CBM) & broadcasting system that regulates a large component of our earthly living experience here. So redactions will occur no later than August 9th, (8/9) where the peak of viral scripting starts to peak in unconscious gravitational patterning.
——————-
So what is blue beam? Projection devices & a spectrum data specific component of the human body’s brain signals that relate to the planet earth in conjunction with planet Saturn. In alignment with the human organism a particular activity of the central spot between the eyes on the forehead connected to what is termed the (Third Eye), the blue beam spectrum of human light projection & also light induction.
So what did we find on this blue beam spectrum of light? Well the topic is a complicated matter. The light spectrum seems to be a highly highly regulated platform, a computerized device seems to operate the largest majority of the human population unconsciously producing specific brain patterning behaviors & frequencies that regulate the body’s internal functions & organisms coherent productive thought processes. This is happening through a sequence of light adjustment techniques that have been observed to be regulated into specific bandwidths that synchronize with the planet Saturn, projecting the various visible light energy environments that humans call physics based phenomenon or atomic & subatomic particle physics (the visible earth).
So when we change the bandwidth of blue beam, the physics changes as an adjusting light substance (the environment we observe of solid particles), yet something is changing it back repeatedly, autonomously, without concern for our interest to adjust our own blue beam projections.
At the Pentagon Area 54 we observe telepathic communications & also a heads up display communication system. It seems to be functional, responsive, highly calculated & operating a large data network of these blue beam channels, we refer to them as layer earth environments. When the channels changed the physics changed & we had a chat with the operators of these telepathic networks. Worked psychology patterning to develop a confidence in their programming processes & low & behold we gained access to something troubling. The blue beam spectrum of light offered to visiting Extraterrestrial Species have accumulated a farming environment. Saying that the human species is a food source, exactly like we have food sources, the latter space environment has extraterrestrials that use a type of memory blocking technology in conjunction with a physics splitter system of energy regulation. It dampers the human body functions while it siphons off life-form energy directly into a food replication system of resources. So what did we find? Food, humans, in the exact same places where the food we find at the grocery stores on one blue beam channel, simultaneously supports another food supply system on several separate blue beam channels. The same grocery stores with humans on the shelves, yet the channels are restricted to visiting extraterrestrial species. That is essentially the foundation for the CIA intelligence debrief & what we have recovered in knowledge from channel spectrum adjusters.
-Moderator Jesse

Just finished all my courses - will graduate in November. Calculated my GPA to be 3.84 Is that good? Is that Really good? does everybody get a high 3.X on their GPA in grad school?

1. Digital-Analog Conversion 13.1. Introduction to Digital-Analog Conversion A digital signal is a signal that represents data as a sequence of discrete values; at any given time, it can only take on one of a finite number of values. An analog signal is any continuous signal for which the time varying feature of the signal is a representation of some other time varying quantity i.e., analogous to another time varying signal.

The following techniques can be used for Digital to Analog Conversion: 1. Amplitude Shift keying – Amplitude Shift Keying is a technique in which carrier signal is analog and data to be modulated is digital. The amplitude of analog carrier signal is modified to reflect binary data. The binary signal when modulated gives a zero value when the binary data represents 0 while gives the carrier output when data is 1. The frequency and phase of the carrier signal remain constant. Advantages of amplitude shift Keying – It can be used to transmit digital data over optical fiber; the receiver and transmitter have a simple design which also makes it comparatively inexpensive; it uses lesser bandwidth as compared to FSK thus it offers high bandwidth efficiency. Disadvantages of amplitude shift Keying – It is susceptible to noise interference and entire transmissions could be lost due to this; it has lower power efficiency. 2. Frequency Shift keying – In this modulation the frequency of analog carrier signal is modified to reflect binary data. The output of a frequency shift keying modulated wave is high in frequency for a binary high input and is low in frequency for a binary low input. The amplitude and phase of the carrier signal remain constant.
Advantages of frequency shift Keying – Frequency shift keying modulated signal can help avoid the noise problems beset by ASK; it has lower chances of an error; it provides high signal to noise ratio; the transmitter and receiver implementations are simple for low data rate application. Disadvantages of frequency shift Keying – It uses larger bandwidth as compared to ASK thus it offers less bandwidth efficiency; it has lower power efficiency. 3. Phase Shift keying – In this modulation the phase of the analog carrier signal is modified to reflect binary data. The amplitude and frequency of the carrier signal remains constant. It is further categorized as follows: 1. Binary Phase Shift Keying (BPSK): BPSK also known as phase reversal keying or 2PSK is the simplest form of phase shift keying. The Phase of the carrier wave is changed according to the two binary inputs. In Binary Phase shift keying, difference of 180 phase shift is used between binary 1 and binary 0. This is regarded as the most robust digital modulation technique and is used for long distance wireless communication. 2. Quadrature phase shift keying: This technique is used to increase the bit rate i.e. we can code two bits onto one single element. It uses four phases to encode two bits per symbol. QPSK uses phase shifts of multiples of 90 degrees. It has double data rate carrying capacity compared to BPSK as two bits are mapped on each constellation points. Advantages of phase shift Keying – It is a more power efficient modulation technique as compared to ASK and FSK; it has lower chances of an error; it allows data to be carried along a communication signal much more efficiently as compared to FSK. Disadvantages of phase shift Keying – It offers low bandwidth efficiency; the detection and recovery algorithms of binary data is very complex; it is a non- coherent reference signal.
13.2. The 2nR DAC: Binary-Weighted-Input Digital-to-Analog Converter The 2nR DAC circuit, otherwise known as the binary-weighted-input DAC, is a variation on the inverting summing op-amp circuit. (Note that "summing" circuits are sometimes also referred to as "summer" circuits.) The classic inverting summing circuit is an operational amplifier using negative feedback for controlled gain, with several voltage inputs and one voltage output. The output voltage is the inverted (opposite polarity) sum of all input voltages: For a simple inverting summing circuit, all resistors must be of equal value. If any of the input resistors were different, the input voltages would have different degrees of effect on the output, and the output voltage would not be a true sum. 13.3. The 2R DAC (Digital-to-Analog Converter) The 2R DAC circuit is an alternative to the binary-weighted-input (2nR) DAC which uses fewer unique resistor values. A disadvantage of the former DAC design was its requirement of several different precise input resistor values: one unique value per binary input bit. Manufacture may be simplified if there are fewer different resistor values to purchase, stock, and sort prior to assembly. Of course, we could take the binary-weighted-input DAC circuit and modify it to use a single input resistance value, by connecting multiple resistors together in series:
Unfortunately, this approach merely substitutes one type of complexity for another: volume of components over diversity of component values. There is, however, a more efficient design methodology. By constructing a different kind of resistor network on the input of our summing circuit, we can achieve the same kind of binary weighting with only two kinds of resistor values, and with only a modest increase in resistor count. This “ladder” network looks like this: Mathematically analyzing this ladder network is a bit more complex than for the previous circuit, where each input resistor provided an easily-calculated gain for that bit.
13.4. Flash ADC Also called the parallel A/D converter, this circuit is the simplest to understand. It is formed of a series of comparators, each one comparing the input signal to a unique reference voltage. The comparator outputs connect to the inputs of a priority encoder circuit, which then produces a binary output. The following illustration shows a 3-bit flash ADC circuit: Vref is a stable reference voltage provided by a precision voltage regulator as part of the converter circuit, not shown in the schematic. As the analog input voltage exceeds the reference voltage at each comparator, the comparator outputs will sequentially saturate to a high state. The priority encoder generates a binary number based on the highest-order active input, ignoring all other active inputs. When operated, the flash ADC produces an output that looks something like this:
13.5. Digital Ramp ADC Also known as the stairstep-ramp, or simply counter A/D converter, this is also fairly easy to understand but unfortunately suffers from several limitations. The basic idea is to connect the output of a free-running binary counter to the input of a DAC, then compare the analog output of the DAC with the analog input signal to be digitized and use the comparator’s output to tell the counter when to stop counting and reset. The following schematic shows the basic idea: The effect of this circuit is to produce a DAC output that ramps up to whatever level the analog input signal is at, output the binary number corresponding to that level, and start over again. Plotted over time, it looks like this:
Note how the time between updates (new digital output values) changes depending on how high the input voltage is. For low signal levels, the updates are rather close-spaced. For higher signal levels, they are spaced further apart in time: For many ADC applications, this variation in update frequency (sample time) would not be acceptable. This, and the fact that the circuit’s need to count all the way from 0 at the beginning of each count cycle makes for relatively slow sampling of the analog signal, places the digital-ramp ADC at a disadvantage to other counter strategies. 13.6. Successive Approximation ADC One method of addressing the digital ramp ADC’s shortcomings is the so-called successive-approximation ADC. The only change in this design is a very special counter circuit known as a successive-approximation register. Instead of counting up in binary sequence, this register counts by trying all values of bits starting with the most-significant bit and finishing at the least-significant bit. Throughout the count process, the register monitors the comparator’s output to see if the binary count is less than or greater than the analog signal input, adjusting the bit values accordingly. The way the register counts is identical to the “trial-and-fit” method of decimal-to-binary conversion, whereby different values of bits are tried from MSB to LSB to get a binary number that equals the original decimal number. The advantage to this counting strategy is much faster results: the DAC output converges on the analog signal input in much larger steps than with the 0-to-full count sequence of a regular counter. Without showing the inner workings of the successive-approximation register (SAR), the circuit looks like this:
It should be noted that the SAR is generally capable of outputting the binary number in serial (one bit at a time) format, thus eliminating the need for a shift register. Plotted over time, the operation of a successive-approximation ADC looks like this:
13.7. Tracking ADC A third variation on the counter-DAC-based converter theme is, in my estimation, the most elegant. Instead of a regular “up” counter driving the DAC, this circuit uses an up/down counter. The counter is continuously clocked, and the up/down control line is driven by the output of the comparator. So, when the analog input signal exceeds the DAC output, the counter goes into the “count up” mode. When the DAC output exceeds the analog input, the counter switches into the “count down” mode. Either way, the DAC output always counts in the proper direction to track the input signal. Notice how no shift register is needed to buffer the binary count at the end of a cycle. Since the counter’s output continuously tracks the input (rather than counting to meet the input and then resetting back to zero), the binary output is legitimately updated with every clock pulse. An advantage of this converter circuit is speed, since the counter never has to reset. Note the behavior of this circuit:
Note the much faster update time than any of the other “counting” ADC circuits. Also note how at the very beginning of the plot where the counter had to “catch up” with the analog signal, the rate of change for the output was identical to that of the first counting ADC. Also, with no shift register in this circuit, the binary output would actually ramp up rather than jump from zero to an accurate count as it did with the counter and successive approximation ADC circuits. 13.8. Slope (integrating) ADC It is possible to avoid using a DAC if we substitute an analog ramping circuit and a digital counter with precise timing. The is the basic idea behind the so- called single-slope, or integrating ADC. Instead of using a DAC with a ramped output, we use an op-amp circuit called an integrator to generate a sawtooth waveform which is then compared against the analog input by a comparator. The time it takes for the sawtooth waveform to exceed the input signal voltage level is measured by means of a digital counter clocked with a precise- frequency square wave (usually from a crystal oscillator). The basic schematic diagram is shown here:
This ADC circuit behaves very much like the digital ramp ADC, except that the comparator reference voltage is a smooth sawtooth waveform rather than a “stairstep:” The single-slope ADC suffers all the disadvantages of the digital ramp ADC, with the added drawback of calibration drift. The accurate correspondence of this ADC’s output with its input is dependent on the voltage slope of the integrator being matched to the counting rate of the counter (the clock frequency). With the digital ramp ADC, the clock frequency had no effect on conversion accuracy, only on update time. In this circuit, since the rate of integration and the rate of count are independent of each other, variation between the two is inevitable as it ages, and will result in a loss of accuracy.
The only good thing to say about this circuit is that it avoids the use of a DAC, which reduces circuit complexity. An answer to this calibration drift dilemma is found in a design variation called the dual-slope converter. In the dual-slope converter, an integrator circuit is driven positive and negative in alternating cycles to ramp down and then up, rather than being reset to 0 volts at the end of every cycle. This technique of analog-to-digital conversion escapes the calibration drift problem of the single- slope ADC because both the integrator’s integration coefficient (or “gain”) and the counter’s rate of speed are in effect during the entire “winding” and “unwinding” cycle portions. If the counter’s clock speed were to suddenly increase, this would shorten the fixed time period where the integrator “winds up” (resulting in a lesser voltage accumulated by the integrator), but it would also mean that it would count faster during the period of time when the integrator was allowed to “unwind” at a fixed rate. Another important advantage of this method is that the input signal becomes averaged as it drives the integrator during the fixed-time portion of the cycle. Any changes in the analog signal during that period of time have a cumulative effect on the digital output at the end of that cycle. 13.9. Delta-Sigma ADC One of the more advanced ADC technologies is the so-called delta-sigma, or ΔΣ (using the proper Greek letter notation). In mathematics and physics, the capital Greek letter delta (Δ) represents difference or change, while the capital letter sigma (Σ) represents summation: the adding of multiple terms together. Sometimes this converter is referred to by the same Greek letters in reverse order: sigma-delta, or ΣΔ. In a ΔΣ converter, the analog input voltage signal is connected to the input of an integrator, producing a voltage rate-of-change, or slope, at the output corresponding to input magnitude. This ramping voltage is then compared against ground potential (0 volts) by a comparator. The comparator acts as a sort of 1-bit ADC, producing 1 bit of output (“high” or “low”) depending on whether the integrator output is positive or negative. The comparator’s output is then latched through a D-type flip-flop clocked at a high frequency and fed back to another input channel on the integrator, to drive the integrator in the direction of a 0 volt output. The basic circuit looks like
13.10. Practical Considerations of ADC Circuits Perhaps the most important consideration of an ADC is its resolution. Resolution is the number of binary bits output by the converter. Because ADC circuits take in an analog signal, which is continuously variable, and resolve it into one of many discrete steps, it is important to know how many of these steps there are in total. Resolution is very important in data acquisition systems (circuits designed to interpret and record physical measurements in electronic form). Another important consideration of ADC circuitry is its sample frequency, or conversion rate. This is simply the speed at which the converter outputs a new binary number. Like resolution, this consideration is linked to the specific application of the ADC.
In data acquisition terminology, the highest-frequency waveform that an ADC can theoretically capture is the so-called Nyquist frequency, equal to one-half of the ADC’s sample frequency. Therefore, if an ADC circuit has a sample frequency of 5000 Hz, the highest-frequency waveform it can successfully resolve will be the Nyquist frequency of 2500 Hz. If an ADC is subjected to an analog input signal whose frequency exceeds the Nyquist frequency for that ADC, the converter will output a digitized signal of falsely low frequency. This phenomenon is known as aliasing. The Nyquist frequency is an absolute maximum frequency limit for an ADC and does not represent the highest practical frequency measurable. To be safe, one shouldn’t expect an ADC to successfully resolve any frequency greater than one-fifth to one-tenth of its sample frequency. A practical means of preventing aliasing is to place a low-pass filter before the input of the ADC, to block any signal frequencies greater than the practical limit. This way, the ADC circuitry will be prevented from seeing any excessive frequencies and thus will not try to digitize them. It is generally considered better that such frequencies go unconverted than to have them be “aliased” and appear in the output as false signals. Yet another measure of ADC performance is something called step recovery. This is a measure of how quickly an ADC changes its output to match a large, sudden change in the analog input. In some converter technologies especially, step recovery is a serious limitation. An ideal ADC has a great many bits for very fine resolution, samples at lightning-fast speeds, and recovers from steps instantly. Different ADC technologies, though, have different strengths. Here is a summary of them ranked from best to worst: Resolution/complexity ratio: Single-slope integrating, dual-slope integrating, counter, tracking, successive approximation, flash. Speed: Flash, tracking, successive approximation, single-slope integrating & counter, dual-slope integrating. Step recovery: Flash, successive-approximation, single-slope integrating & counter, dual-slope integrating, tracking. Please bear in mind that the rankings of these different ADC technologies depend on other factors

Lyrics in songs I've noticed.
Red Velvet

• Queendom

Oh hey! In the same dream
It kept calling us
Wonderland beyond distant memories
...........
Cntd
We we we strong, nothing missing
Wake up, the answer is Simple
Be Boss, blow the Whistle
The bigger world is noticing you.
Shall we have a festival? I hold your hand.
We've been waiting for this moment. Spread your wings and be yourself.
Come play at My carnival.
Climax? It starts now.
Watch out! We are making the rules.
......
It’s now or never, we got forever.
Sappy
;
You're sobbing and being pessimistic
You're hesitating again, you can't choose
Writing poems in your note, your hobby is sentimental
Look, now it's time to open the door
........
Tell me, which do you love?
It's not bad thing to dream
It's not a fairytale, it's the real world
What are you gonna do? Which one are you
gonna pick?
Reality or fantasy, adolescent boy?
I'm still clearing dating simulation games
using the manual
I'm still a long way from real love
.......
It's not that I don't like it
Escape from being just two-dimensional
Which one do you love?
Tonight let me know your true feelings
You'll really grow up then
Tell me, which one do you love?
(In the video the lyrics are "Logging out from delusion" for a part of it.)
That's not even getting into the imagery in the video.
Feel My Rhythm
Blowing up this fancy ball
We're back, cute chaotic delight
This is gonna be a crazy night
Epic appearance to stunning greetings
Let's have a little fun
Don't be shy, Bae bae
Let the play start
(Birds and wings everywhere in the video. Irene is shown offering strawberries to a gigantic statue of some sort which then falls towards her. Joy is seen standing in front of some type of being with wings, I can't tell what it would be though. Maybe o- I Cant tell, she's, yeah she's blocking the shot)
Imagine anything
Now cruising into a weird, new dimension
A place I've never imagined appears unexpectedly
Don't miss this moment, baby.
Don't confine yourself to yesterday or tomorrow.
I'm truly free right now.
Come ride with me (Sway)
Let's go anywhere (Way)
I want to mess all the boundaries
In this world (Oh yeah)
When the world stops What a what a feeling Come take my hand (All right) A brand new Film We falling deep, You and I Next time, spin the clock Where should we go? Come on, let's start again You and I
Everglow
You used to be afraid of the dark night (ah yeah yeah) Hiding without anyone else knowing (ah yeah yeah) No one say happy ending You stayed silent and ran away (Here we go Here we go like)...
Knock Knock There’s a monster It’s growing larger, the black hole inside of you When you back uh? The howler has swallowed you, that’s the killer Don’t be afraid, hold my hand Your past is making you scared But know your power For the final time, be first You know that I come first I’m the winner winner winner Yes, it’s the last melody To save save save you (so don’t keep) Don’t be deceived by the lie That there is no light in this world Together we will Dream a dream that’s never been seen before Dream a dream that’s never been seen before (Ya) It’s ok if you fall (stand up) It’s you (hands up) Faster Stronger Better Gotta be the best Between night and day, around 5:30AM A war without loyalty will suffocate you, this is a foul Lies, darkness, truth, ecstasy, fantasy My candle makes you explode like a fireworks of melodies in the dawn Don’t be afraid, hold my hand Your past is making you scared But know your power For the final time, be first You know that I come first I’m the winner winner winner Yes, it’s the last melody To save save save you (so don’t keep) Don’t be deceived by the lie That there is no light in this world Together we will Dream a dream that’s never been seen before I’m breaking down the walls, crossing the lines I won’t shrivel up, I’ll jump over one step You got me now got me now two step Don’t slow it down slow it down Shout towards the sky that comes to you Hold onto the key of hope...
Bon bon chocolate

go up to the sky

.
Avenged Sevenfold
Hate to twist your mind, but God ain't on your side
Flesh is burning, you can smell it in the air 'Cause men like you have such an easy soul to steal (steal) So stand in line while they ink numbers in your head You're now a slave until the end of time here Nothing stops the madness turning Haunting, yearning, pull the trigger You should've known the price of evil And it hurts to know that you belong here, yeah Ooh, it's your fuckin' nightmare While your nightmare comes to life
You've been lied to just to rape you of your sight And now they have the nerve to tell you how to feel (feel) So sedated as they medicate your brain And while you slowly go insane they tell you Given with the best intentions Help you with your complications
You should've known the price of evil And it hurts to know that you belong here, yeah No one to call, everybody to fear Your tragic fate is lookin' so clear, yeah Ooh, it's your fuckin' nightmare Ha, ha, ha, ha
And I know you hear their voices (calling from above) And I know they may seem real (these signals of love) But our life's made up of choices (some without appeal) They took for granted your soul And it's ours now to steal As your nightmare comes to life
Afterlife
Like walking into a dream, so unlike what you've seen So unsure but it seems, 'cause we've been waiting for you Fallen into this place, just giving you a small taste Of your afterlife here so stay, you'll be back here soon anyway
A place of hope and no pain, perfect skies with no rain Can leave this place but refrain, 'cause we've been waiting for you Fallen into this place, just giving you a small taste Of your afterlife here so stay, you'll be back here soon anyway This piece on Earth's not right (with my back against the wall) No pain or sign of time (I'm much too young to fall) So out of place, don't wanna stay, I feel wrong and that's my sign I've made up my mind Give me your hand but realize I just wanna say goodbye Please, understand I have to leave and carry on my own life
Creating God
Standing in the shade of altruism, answering the call Came a modern messiah to save us all Something far beyond the work of fiction, Positronic brain A world that's void of all the anguish and suffering, pain
We're creating god, master of our designs We're creating god, unsure of what we'll find
Never held a high regard for Darwin, selection takes too long A little kick in the pool shouldn't do us wrong Devouring the very last invention man would ever need But exponential growth is a frightening thing, indeed
Sometimes when I look up to the sky I have to wonder are we "summoning the demon" you and I?
Have you noticed that I'm needin' it more now, more than it needs me Got a couple of billion that seem to agree Surfing in an artificial dimension, but we're not alone Now the master has become just a stepping stone, oh
We're Creating, God.
Beast and the Harlot
This shining city built of gold A far cry from innocence There's more than meets the eye around here Look to the waters of the deep A city of evil There sat a seven headed beast Ten horns raised from his head Symbolic woman sits on his throne But hatred strips her and leaves her naked The beast and the harlot
The city dressed in jewels and gold Fine linen, myrrh and pearls Her plagues will come all at once As her mourners watch her burn Destroyed in an hour Merchants and captains of the world Sailors navigators too Will weep and mourn this loss With her sins piled to the sky The beast and the harlot
The day has come for all our sinners If you're not a servant, you'll be struck to the ground Flee the burning, greedy city Looking back on her to see there's nothing around
The day has come for all our sinners If you're not a servant, you'll be struck to the ground Flee the burning, greedy city Looking back on her to see there's nothing around I don't believe in fairy tales and no one wants to go to hell You've made the wrong decision and it's easy to see Now if you wanna serve above or be a king below with us You're welcome to the city where your future is set forever
Welcome to the family
Hey kid (hey kid) Do I have your attention? I know the way you've been living Life's so reckless, tragedy endless Welcome to the family Hey There's something missing Only time will alter your vision Never in question, lethal injection Welcome to the family Not long ago you find the answers were so crystal clear Within a day you find yourself living in constant fear Can you look at yourself now, can you look at yourself? You can't win this fight
I try and help you with the things that can't be justified I need to warn you that there is no way to rationalize So have you figured it out now, so have you figured it out? You can't win this fight
And in a way it seems there's no one to call When our thoughts are so numb And our feelings unsure We all have emptiness inside, we all have answers to find But you can't win this fight!
I see you're a king who's been dethroned Cast out in a world you've never know Stand down, place your weapon by your side It's our war in the end, we'll surely lose but that's alright So have you figured it out now, so have you figured it out?
Bat Country
So sorry you're not here I've been sane too long, my vision's so unclear Now take a trip with me But don't be surprised when things aren't what they seem
You've been breakin' down for far too long Far too many moons since you felt well and strong You see, you could say goodbye but you don't have to die Not ever
Engineer the wires to your brain Architect a code so you won't feel the pain With your family by your side and vigor in your eyes forever Live Forever I'm way up, a god in size, beyond the reach of mortals I shed my human side Father, oh father I stare at my reflection, have I lost that boy inside? Final paradigm What's it really mean to be a man? Think about your answer but please understand While it's natural to fear, I'll make it disappear forever I forever I'm way up, a god in size, beyond the reach of mortals I shed my human side Father, oh father I stare at my reflection, have I lost that boy inside? Final paradigm Singular I am I have the question if these thoughts are mine To live forever but did something in me die? I'm clawing my skin but I can't feel it inside I know the agony of pain would hurt so much better I'm way up, so far up Have I lost myself tonight? Mother, oh father Have you lost that boy you used to know?
Simulation
It seems I should have walked away Reverse the wager I've no means to pay Toto has pulled back the green tonight, in sight And blue pills coat with such disdain I wore the shades for so long That I've forgotten how to see The curtain rises but who dares to pull the strings
I know this might be hard for you to believe and all, But you only exist because we allow it I question all the voices in my head Are they mine or have I been misled? Total understanding doesn't seem to mean a thing When you can't see behind the silver screen, a figurine Can't you hear me scream? By the way of cosmic rays A subtle breakdown jarred the code display A simulation as I can tell, our cell Playing out a hopeless scene We stand to lose all our charm And faith just seems to wane A billion years can seem a stunningly short time You've been beaten down time and time again But still you find yourself at the center of it all I question all the voices in my head Are they mine or have I been misled? Total understanding doesn't seem to mean a thing When you can't see behind the silver screen, a figurine Can't you hear me scream? You hear me, you had one thing to do, one thing And you fucked it up, piece of shit Nurse, patient 666158 needs to be sedated We need 500 CCs of M Oh hello there, dearie I've been expecting you Posturing the way I feel Is truth only what we believe is real? Marvel the sketches that paint the night, starlight And take a breath before it's all erased away
Their song Angels; Waking the Fallen, Sounding the Seventh Trumpet.
Everglow:
Pirate
Yeah EVERGLOW Gonna be mad lunatic, girl When the mysteriously changed moon comes A show that will start suddenly In secret, yeah, dance I want it Ddi-dam-bam-bam, bba-rira-bam-bam A paradise found in a whole new world that is out of sync ‘Cause I’m a pirate, yeah, yeah A pirate, yeah, yeah A pirate, yeah, yeah Now let me introduce myself I am a fleet I Start this voyage Towards the moon mist Yeah, let me introduce myself...
Twenty four hours, the light disappears Overnight, night, overnight During the night when the dazzling starlight shines Ayy, lift the anchor Girls all over the world Dance tonight And we could be anything, anything now Go crazy, no doubt Rowin’ for the Crown Waving the flag, yeah...
All the way, all the way, all the way The riot we made All the way, all the way, all the way Can’t ever stay quiet Girls all over the world Run tonight Just get on board ‘Cause I’m a pirate, yeah, yeah A pirate, yeah, yeah A pirate, yeah, yeah Now let me introduce myself I am a fleet Start this voyage Towards the moon mist Yeah, let me introduce myself Ahoy! Sing a song now The hidden moon festival Well, shiver me timbers (Aye-aye) Watch this night together Last chance, get on board Approaching tsunami, disappearing afternoon Everyone falls asleep under these waves Yeah, I’m making the moves During the night when the dazzling starlight shines Ayy, lift the anchor Girls all over the world Dance tonight And we could be anything, anything now Go crazy, no doubt Rowin’ for the crown Waving the flag, yeah (Oh woah) All the way, all the way, all the way The riot that we made (Oh yeah) All the way, all the way, all the way Can’t ever stay quiet Girls all over the world Run tonight Just get on board...
A letter from that future Together with that blinding light Trust me and follow me up to my ark...
Katy Perry and Nikki Manage
Michael Jackson's Best Tracks
"Swish Swish" lyrics Katy Perry Lyrics Play "Swish Swish" on Amazon Music Unlimited (ad) "Swish Swish" (feat. Nicki Minaj)
They know what is what But they don't know what is what They just strut What the fuck?
[Katy Perry:] A tiger Don't lose no sleep Don't need opinions From a shellfish or a sheep Don't you come for me No, not today You're calculated I got your number 'Cause you're a joker And I'm a courtside killer queen And you will kiss the ring You best believe
So keep calm, honey, I'mma stick around For more than a minute, get used to it Funny my name keeps comin' out your mouth 'Cause I stay winning Lay 'em up like
Swish, swish, bish Another one in the basket Can't touch this Another one in the casket
Your game is tired You should retire You're 'bout as cute as An old coupon expired And karma's not a liar She keeps receipts
So keep calm, honey, I'mma stick around For more than a minute, get used to it Funny my name keeps comin' out your mouth 'Cause I stay winning Lay 'em up like
Swish, swish, bish Another one in the basket Can't touch this Another one in the casket (Let's go) Swish, swish, bish Another one in the basket Can't touch this Another one in the casket
They know what is what But they don't know what is what Katy Perry They just know what is what Young Money But they don't know what is what They just know what is what But they don't know what is what They just strut Hahaha, yo What the fuck?
[Nicki Minaj:] Pink Ferragamo sliders on deck Silly rap beefs just get me more checks My life is a movie, I'm never off set Me and my a-Migos (no, not Offset) Swish swish, aww I got them upset But my shooters'll make 'em dance like dubstep Swish, swish, aww, my haters is obsessed 'Cause I make M's, they get much less Don't be tryna double back I already despise you All that fake love you showin' Couldn't even disguise you (Yo, yo) Ran? When? Nicki gettin' tan Mirror mirror who's the fairest bitch in all the land? Damn, man, this bitch is a Stan Muah, muah, the generous queen will kiss a fan Ass goodbye, I'mma be riding by I'mma tell my ...Biggz, yeah that's the guy A star's a star, da ha da ha They never thought the swish god would take it this far Get my pimp cup, this is pimp shit, baby I only rock with Queens, so I'm makin' hits with Katy
[Katy Perry:] Swish, swish, bish Another one in the basket And another one and another one Can't touch this Another one in the casket And another one and another one
They know what is what Do they know? But they don't know what is what They just know what is what But they don't know what is what They just know what is what But they don't know what is what They just strut What the...
Red Velvet: Dumb Dumb Dumb Dumb Dumb Dumb Dumb Dumb –31
You need to “Beat It” That boy Michael Jackson ”Bad” I’m not your “Billie Jean” Don’t you “Leave Me Alone” But you’re so ambiguous, I want “Black Or White” I can’t give up on you, my “Man In The Mirror” “Why You Wanna Trip On Me” You’re too harsh Boy, you make me “Scream” Why am I like this? Well, your “Love really Never Felt So Good” It’s so electrifying that it’s like
Aespa
Next Level
aespa
I’m on the Next Level, yeah I follow the absolute rules Don't let go of my hand unity is my weapon I walk to KWANGYA I know your home ground Confront the threat Beat it, beat it, beat it
An unexpected black out The temptation is deep and strong (Too hot too hot) Letting go of the hands held together But I'll never give up
I'm on the Next Level I open the door over there Next Level I'll destroy you in thе end Until I reach the Nеxt Level KOSMO Next Level Beat it, beat it, beat it
La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la
I see the NU EVO The hostile suffering and sorrow Make you popping and evolve further That's my naevis, it's my naevis You lead, we follow After learning the feelings Watch me while I make it out
Watch me while I work it out Watch me while I make it out Watch me while I work it out Work it, work it, work it out
Even the unbearable despair Can't break my faith Watch me while I work it Even if a more painful trial comes I won't let go of your hand, oh
Never look back Don’t covet things of KWANGYA If the promises are broken, everything will be out of control The signal is becoming unstable since a certain point in time I'll destroy you in the end (We want it) Come on! Show me the way to KOSMO, yeah
A hallucination quest created by the Black Mamba Aespa, they want to separate out ae, that's right I lose my balance and my voice too In the illusion of being criticized and alienated Nævis we (Call ae, ae) Aespa's Next Level Open "P.O.S" This is the REAL WORLD, I'm awake We against the villain, what's the name? Black Mamba
I open the door in the end (Too hot, too hot) That light is like Fire to you I'm dying to know The next story that will unfold Huh!
I'm on the Next Level I open the door over there Next Level I'll destroy you in the end Until I reach the Next Level KOSMO Next Level Beat it, beat it, beat it
I'm on the Next Level I become stronger and free Next Level I'm no longer who I was at KWANGYA Next Level Feel me I'm like a beast Next Level Beat it, beat it, beat it Huh! https://lyricstranslate.com/en/next-level-next-level.html-0
Savage
[Intro: Karina] Oh my gosh Don't you know I'm a savage?
[Verse 1: Karina, Giselle] I'm a Killa who will break you, ae You're still hiding and hallucinating Beat you up, we holler I'm not afraid of you, you, hit you harder Push me in, deep fake on me To the unprepared stage Corner me in, fake on me Got everybody, mock up to me You shake me up so that I feel ashamed Cold spectators are collapsed, ae I can't stand you anymore, say, "No!"
[Refrain: Winter, Ningning] Wait and see, I'm a little savage Your dirty play I can't stand it any longer You want to break me Your hallucinations are becoming The reasons to construct you
[Pre-Chorus: Winter, Ningning] I'm a savage I'll break you into pieces yeah, oh I'm a savage I'll crush you, oh
[Chorus: Karina, Giselle, Karina & Ningning] Get me, get me now Get me, get me now (Zu-zu-zu-zu) Or I'll become more Savage (Zu-zu-zu-zu) Get me, get me now Get me, get me now (Zu-zu-zu-zu) Now I'm going to get you Now, I'm a savage Gimme, gimme now Gimme, gimme now (Zu-zu-zu-zu) I can see your words Your weakness Algorithm (Zu-zu-zu-zu) Steaming, it's steaming Steaming, it's steaming (Zu-zu-zu-zu) MA ae SYNK Don't bother me and bog off, savage (Zu-zu-zu-zu)
[Verse 2: Giselle, Winter, Karina] Mhm, everybody looks at me I'm used to it, I should take a step back I have to endure it like an adult I'm locked up in the glass I want to play such a horrible expectation I'm locked up in that hallucination frame I'm going to KWANGYA, game in Defeating a subtle alienation And making me drift apart from my ae Your satisfying trick We gone KWANGYA, game in Cut it down, my sword of light To you who is damaged It's a merciless punch
[Refrain: Ningning, Winter] See? I'm a little Savage I block your regenerative power I distract you, I leave you out Don't forget, this is KWANGYA I control your time and space Make it, break it
You are the one who protected me when I was in trouble My naevis, we love you My victory, one SYNK DIVE All the opportunities you've created I know your sacrifices, oh My naevis, we love you I know, we'll make sure to find your memories Let's meet surely after the resurrection
[Breakdown: Karina, Ningning] Savage Savage Yeah
Girls
Wake up! In a deadlier war Hold on with your feet(our feet are like hands back home) Hook! Black Mamba I am not afraid of you Hoot! I’ll break you It has changed when we entered KWANGYA Distorted æ more like me, like one A crazy presence that shows The ember that was left behind...
grew into a great evil When I helplessly isolate you Reunite we’re together again Whoo Whoo Attack Beat it Yah You’re not alone...
Shined sacrifice If you found the memory Can you show us? Can you show up? Right now, right here Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are together We Them Girls We Them Girls We Them Girls Meta universe exists now Parallel world All beings have meaning Part of my heart We use sympathetic words and share the body temperatures In the end, we only pursue the value of goodwill I finally became stronger I don’t get swindled or hurt It’s distorted It has started again Make sides Isolate you and me so that we can’t see ahead The algorithms that have been distorted by bad desires Use existence as the weapon and swallow with destruction Ah Evil was started at that moment Whoo Whoo Move out flip Yah I’m not alone I want to protect first encountering REKALL I will hug you so that you can feel Without SYNK DIVE Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are Together We Them Girls We Them Girls To face a peaceful day Inside the FLAT We laugh and love together With my friends Now I’m more curious about the future together with nævis Eventually we will probably meet nævis on the REAL MY WORLD Hold up! REAL MY WORLD Your existence is brighter than my reflection in the mirror Can you tell me? Until when, will we be together? Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are together We Them Girls We Them Girls We Them Girls Girls! Official translation. Play "Girls" on Amazon Music Unlimited (ad) Other Songs from Girls Album Girls Girls
Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Take a look at my WILDSIDE
By instinct, do it Come along with me Let us go down, down, down, down, da street
I didn’t go anywhere Now I could go everywhere Scared of change Just looking from the side
When you protect me and I’m breathing I’m forced into misery like a puppet, muppet I thought I was no good But behind weakness there was strength Words from loveless people, I don’t care about it anymore I will show you the truth
Never tell lies to myself any more Fly now to the place I want to be I’m never scared of going to the sky
Inside O-O-Out My wild side, my wild side The unseen me who has Overcome weakness (WILDSIDE) Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Which this WILDSIDE
Accepting myself that I don’t even know of I want to love more, believe myself more So I don’t get lost, Yeah
Starlight, slash the dark night already So bright, sparkle La-la-la-la-la
Inside O-O-Out My wild side, my wild side The unseen me who has Overcome weakness (WILDSIDE) Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Which this WILDSIDE
By instinct, do it Come along with me Let us go down down I will show you my wild side
https://youtu.be/Qpf26PtBXgo 😬 cya ❤️‍🩹😾🙀🙈
....

Question 6 Explain why Binary Coded Decimal (BCD) is sometimes referred to as the “8421” code. Why is this code used at all? Answer BCD uses groups of four binary bits to represent each digit of a decimal number. The LSD place weights are 8-4-2-1, while the next significant digit’s place weightings are 80-40-20-10, and so on. Convert the following decimal numbers into BCD form: 73910 2510 9224110 Convert the following BCD numbers into decimal form: 1000 1001 0100 0111 0110 0011 1000 0101 0001 Answer 73910 = 0111 0011 1001 2510 = 0010 0101
9224110 = 1001 0010 0010 0100 0001 1000 1001 = 8910 0100 0111 0110 = 47610 0011 1000 0101 0001 = 385110 Question 7 Standard ASCII codes are seven bits in length, but communications equipment usually sends data in eight-bit (byte) groups. The extra bit is often used as a parity bit. What is the purpose of a “parity bit,” and how is it used? Answer “Parity bits” are used as a primitive form of error detection. Communications equipment making use of parity for error detection may either be configured for “even parity” or for “odd parity”. I’ll let you research and explain how parity bits are used in the transmission of ASCII data.
Question 10 An important parameter of logic gate circuitry is noise margin. What exactly is “noise margin,” and how is it defined for logic gates? Specifically, how much noise margin do digital circuits exclusively composed of CMOS gates have? How does this compare with the noise margin of all-TTL circuitry? Answer: Noise margin is the difference between the acceptable voltage limits for corresponding input and output logic states. Notes: This question, to be answered properly, involves more than just a definition of “noise margin.” Students must first discover that there is a difference between voltage compliance levels for gate inputs versus outputs, then recognize that the difference constitutes a “margin” that imposed AC voltage (“noise”) must not exceed. They must then present their answer in terms of manufacturer specifications, obtained in datasheets. In summary, there is a lot of research that must occur to answer this question, but the results will be worth it! Question 11 In Claude Shannon’s famous 1948 paper entitled A Mathematical Theory of Communication, he opens with the following statement: “The recent development of various methods of modulation such as PCM and PPM which exchange bandwidth for signal-to-noise ratio has intensified the interest in a general theory of communication.”
Explain what Shannon was referring to when he said, “exchange bandwidth for signal-to-noise ratio”. In many cases, the superior signal-to-noise ratio of digital communication over analog communication is the primary reason justifying the much greater complexity of digital communications equipment. Also, elaborate on how bandwidth becomes sacrificed in order to achieve relatively noiseless signal transmission. Answer: Digital signals are highly resistant to corruption from noise, because they are composed of discrete (“high” and “low”) states rather than continuously-variable quantities as analog signals are. However, in order to communicate any significant measure of digital information in serial form, many pulses are needed. This requires a high-bandwidth data path to be comparable in speed to analog. Notes: Shannon’s language is perhaps a bit above the norm for technician-level education, but it nevertheless captures an important quality of digital communication: that the noise immunity enjoyed by digital communication comes at a price: high bandwidth. Without a high-bandwidth medium in which to exchange digital information, communication is either slow or completely impractical Question 12 Suppose an analog-digital converter IC (“chip”) inputs a voltage ranging from 0 to 5 volts DC and converts the magnitude of that voltage into an 8-bit binary number. How many discrete “steps” are there in the output as the converter circuit resolves the input voltage from one end of its range (0 volts) to the other (5 volts)? How much voltage does each of these steps represent? Answer This ADC (Analog-to-Digital Converter) circuit has 256 steps in its output range, each step representing 19.61 mV. Question 13 What is meant by the word resolution in reference to an ADC or a DAC? Why is resolution important to us, and how may it be calculated for any particular circuit knowing the number of binary bits? Answer: The resolution of either a digital-to-analog converter (DAC) or an analog-to-digital converter (ADC) is the measure of how finely its output may change between discrete, binary steps. For instance, an 8- bit DAC with an output voltage range of 0 to 10 volts will have a resolution of 39.22 mV. Notes: Note that I did not hint how to calculate the resolution of a DAC or an ADC, I just gave the answer for a particular example. The goal here is for students to inductively “work backwards” from my example to a general mathematical statement about resolution.
There are actually two different ways to calculate the resolution, depending on the actual range of the converter circuit. For the answer given, I assumed that a digital value of 0x00 = 0.00 volts DC and that a digital value of 0xFF = 10.00 volts DC. If a student were to calculate the resolution for a circuit where 0xFF generated an output voltage just shy of 10.00 volts DC (e.g. an R-2R ladder network where Vref = 10 volts DC, and a full-scale binary input generates an output voltage just one step less than Vref), the correct answer for resolution would be 39.06 mV. You may want to bring up such practical examples of resolution as the difference between a handheld digital multimeter and a lab-bench digital multimeter. The number of digits on the display is a sure clue to a substantial difference in ADC resolution. Question 14 Answer: An important feature of microprocessors is the use of flag registers. What, exactly, is a “flag”, and what are they used for in microprocessor programming? Identify some common machine- language commands that set flags, and some common commands that read flags. Flags are single-bit registers in a microprocessor set according to the results of an operation. Arithmetic and logical operations are common examples of commands that set flags. Conditional operations such as “Jump if Zero” are based on flag status: that is, the status of certain flags dictate what a conditional operation will do.
Question 16 What does the normal status of an electrical switch refer to? Specifically, what is the difference between a normally-open switch and a normally-closed switch? Answer The “normal” status of a switch refers to the open or closed status of the contacts when there is no actuating force applied to the switch. Notes: An important qualification for an electrical switch to be either “normally-open” or “normally-closed” is that it have a spring to return it to its “normal” state in the absence of an actuating force. Latching switches such as most toggle switches really cannot be defined in terms of “normally-” anything. Discuss this with your students, possibly showing them some examples of momentary contact switches that are either N.O. or N.C. Question 17 A special class of electromechanical relays called time-delay relays provide delayed action, either upon power-up or power-down, and are commonly denoted in ladder logic diagrams by “TD” or “TR” designations near the coil symbols and arrows on the contact symbols. Here is an example of a time- delay relay contact used in a motor control circuit: In this circuit, the motor delays start-up until three seconds after the switch is thrown to the “Run” position, but will stop immediately when the switch is returned to the “Stop” position. The relay contact is referred to as normally-open, timed-closed, or NOTC. It is alternatively referred to as a normally-open, on-delay contact. Explain how the arrow symbol indicates the nature of this contact’s delay, that delay occurs during closure but not during opening. Answer Note that the “Arrow” is pointing in the up direction, toward the direction of contact closure. Notes:
The arrow symbol is not difficult to figure out, but it is essential to know when working with time- delay relay circuits.
Question 21 Suppose an automobile manufacturer was designing a new car engine design, and they needed a memory chip to store look-up tables for the engine’s control computer, holding data such as optimum fuel/air ratios for different engine loads which the computer would then consult to maintain best performance, or economy, or emissions. What type of memory chip would you recommend for the task, and why? Choose from the following list: Static RAM (SRAM) Mask ROM PROM Dynamic RAM (DRAM) EPROM Magnetic core Answer: EPROM would probably be the best choice. I’ll let you discuss this with your classmates and with your instructor, though! Notes: This question is multi-faceted. Students must consider volatility and ease of updating (the data), as well as simply applying the concept of a look-up table to a car’s engine control computer, in order to intelligently answer this question. Question 22 Explain the difference between static RAM (“SRAM”) and dynamic RAM (“DRAM”) memory technologies. Which type of memory technology provides faster access of data, and why? Which type of memory technology provides the greatest storage density, and why?
Answer: Static RAM provides the fastest access, while dynamic RAM provides the greatest amount of memory per physical volume (storage density). Follow-up question: how is refreshing provided for dynamic RAM chips? Is this something taken care of internal to the chip, or must the circuit designer provide external circuitry to refresh the dynamic RAM chip’s memory cells? Question 23 Two very important concepts to understand when working with digital memory devices are address and data. Define each of these terms in your own words. Define the following acronyms: ROM: PROM: EPROM: EEPROM: UVEPROM: Be prepared to explain a few things about each of these memory technologies: how they work, what applications they might be found in, advantages and disadvantages of each. Answer: ROM: Read-Only Memory PROM: Programmable Read-Only Memory EPROM: Erasable Programmable Read-Only Memory EEPROM: Electrically Erasable Programmable Read-Only Memory UVEPROM: UltraViolet Erasable Programmable Read-Only Memory Question 24 An important use for read-only semiconductor memories is as look-up tables. Describe what a “look- up table” is, and what one might be used for. Answer: A look-up table is a set of data programmed into a memory device, used to map a function of some kind: for each unique input (address), there is an output (data) that means something to the system in which it is installed. An example of a look-up table is an EBCDIC-to-ASCII code converter, where an EBCDIC code input to the address lines of a ROM chip “looks up” the equivalent ASCII character value from memory, and outputs it as the result through the ROM chip’s data lines.
Notes: The EBCDIC-to-ASCII code converter concept is not hypothetical! I actually designed and helped build such a circuit to allow standard personal computers to “talk” to an obsolete CNC machine tool control computer which didn’t understand ASCII data, only EBCDIC. A look-up table implemented in a UVEPROM served as a neat way to implement this function, without a lot of complex circuitry. Question 25 Digital computers use a numeration system with a base of two, rather than a base of ten as we are accustomed to using. It is much easier to engineer circuitry that counts in “binary” than it is to design circuits that count in any other base system. Based on what you know of numeration systems, answer the following questions: How many different symbols (ciphers) are there in the binary numeration system? What are the different place-weight values in the binary system? How would you represent the number “seventeen” in binary? In our base-ten (denary) numeration system, each character is called a “digit.” What is each character called in the binary numeration system? Answer: There are only two valid ciphers in the binary system: 0 and 1. Each successive place carries twice the “weight” of the one before it. Seventeen = 10001 (in binary). Each character in the binary system is called a “bit” rather than a “digit”. Question 26 A numeration system often used as a “shorthand” way of writing large binary numbers is the hexadecimal, or base-sixteen, system. Based on what you know of place-weighted numeration systems, describe how many valid ciphers exist in the hexadecimal system, and the respective “weights” of each place in a hexadecimal number. Also, perform the following conversions: 3516 into decimal: 3410 into hexadecimal: 111000102 into hexadecimal: 9316 into binary:
Answer: There are sixteen valid ciphers in the hexadecimal system (0, 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B, C, D, E, and F), with each successive place carrying sixteen times the “weight” of the place before it. 3516 into decimal: 5310 3410 into hexadecimal: 2216 111000102 into hexadecimal: E216 9316 into binary: 100100112

I am a 36 year old male that was diagnosed with Hashimoto's disease. I have been physically active my entire life, cycling and weight training, sports, etc. Very dedicated to exercise over the past 15 years. The last 6 years or so I have been packing on weight, especially around my abdomen. 6 years ago I was at 12% bodyfat and 180 pounds, eating 3500 calories a day. Now I am 28% bodyfat at 225 pounds, eating 1800 calories a day, exercising 6 days per week (80 minutes weight training 3x per week and 30 minutes peloton 3x per week). I attributed this just to getting older.
I visited my doctor early last year, after having a bad reaction to the covid vaccine that led to persistent brain fog and very low energy levels in the months following (I have seen improvement now).
Doctor ran a full panel of testing and discovered:
Prolactin slightly elevated at 20ng/mL (4-15.2 range). All subsequent testing had prolactin within range, past 4 tests.
Testosterone came at 420ng/dL which seems low for my age and considering my weight training history.
TPO at 36 (ref 0-34)
TgAB at 10.2 (ref 0-0.9)
TSH in the past year varied from 2.5 - 3.0 (ref 0.45-4.5)
T4 total ranged from 7.7-10.4 (ref 6.1-12.2)
T3 total ranged from 100-119 (ref 87-178)
Free T4 0.9 (ref 0.61-1.12)
Free T3 3.2 (ref 2.5-3.9)
My cholesterol was at 239 with LDL at 179, but with very low calorie restriction I have gotten that down to 190 total cholesterol and 139 LDL
Lymphocytes have also been very slightly but consistently elevated.
All my other levels are good, including vitamins.
Symptoms I had for a long time: fat gain despite exercise and diet, thinning of eyebrows, especially outer edge, dry lips, dry hands, irritable mood, fluctuating mood - periods of days where I feel good and then times when I feel quite bad.
More recent symptoms: brain fog, inconsistent fatigue, and lower libido. I could be thinking about doing something and I would forget what it was I just wanted to do. Often forgetting keys home, bad moods, going to the closet and forgetting what I wanted - takes me a few seconds to stand there and remember why I am there.
In addition, 4 months ago I began to develop hives - something I never had in my life. 10mg cetirizine kept it at bay taken daily. Now I can take 1 pill every 2 days before the hives come back, but it always comes back if I do not take the pill.
My doctor suggesting I take 50mcg Levo and 10mcg Cytomel. He thinks my issues might improve with this. I am a bit concerned about my hormones being too high and thus having side effects. He thinks Hashimoto's is causing metabolic issues due to my poor ability to lose weight, even when literally weighing every single thing I eat or add to a recipe. Most TDEE calculators put me at 3500 calorie maintenance with my workout routine. I am losing 0.2 pounds per week eating 1800 calories and burning 300-500 calories almost daily from added exercise, at a weight of 225 pounds.
Do you all think this is a good idea and worth a try? Is this something I can immediately stop taking if I do experience issues? I am worried if there will be a down-regulation of natural production when adding exogenous hormones.
My mother and sister are on Levo and have also been diagnosed with Hashimoto's years ago. Their levels were far worse than mine before they began treatment.

I have written before about my Grampa Alva’s press work – he worked for the local newspaper, operated a linotype machine – the longish step between letter-by-letter typesetting and digital printing. The machine would create lead lines of type based on what you keyed into it. This was referred to as the hot-type method because each line was individually cast – think molten lead poured into molds then emptied out as a single line of type. The linotype machine’s limitation was inflexibility – once the slugs were positioned in frame, reversed compared to the way they would be read but otherwise looking like columns in a newspaper, nothing significant could be gained or lost from the story. Scanning the lead slugs as they came out of the machine, Alva would have become skilled at reading text in reverse, possibly reading the rest of the world that way. He was touched, I’m trying to say. I see him singing, you are my sunshine, with guitar, on a railed porch at midnight. Yes, he died young.
Addendum: To graduate from high school, I was required to write a research paper about the topic of my choice. The writing process lasted the whole semester, and as is the nature of putting things off until the last minute, most of the students, some at least, well me specifically to be precise – I found myself rushing to complete the work at the end. The paper was about the nonviolent overthrow of the U.S. government by means of democratic reform that would do away with the electoral process and use a jury selection system to populate congress and thereby be more truly of, by, and for the people. See how efficiently I just put that? Imagine reducing it to 10 pages. An accomplishment adjacent to the overthrow-of-the-government paper involved computer programming. The paper had to be typed in a specific way, and back then, the tool at hand was the cheapest programmable computer available. I learned basic coding, experimented with self-building computer programs – programs that increased in size as you interacted with them. From this, I was able to build a primitive word processor with no visible interface, save for the line you were currently typing. When you neared the end of what I calculated to be the required margins, a tone would sound, similar to the way a bell dings at the end of a line on a manual typewriter. The sound, which I programmed with numbers, not hyperlinks, made the sound of a flute, not a bell. When the user reached the end of a line, pressed return, the line would fill with molten lead, disappear inside the self-building computer program. A page worth of lines was assembled this way, then I would print out the page on a dot matrix printer that used a ribbon as the source of its ink. Every page of the research paper was done this way. An anecdote I’ve told many times: So I’m typing the paper with my digital linotype machine – although I did not know that’s what it was – and the night has passed, and sunrise is lighting the room, and Grampa Alva’s daughter pops her head in the door, still sleepy herself, scolds me for being up all night, for leaving the light on – and she hits the wall switch, which shuts off the lights plus, ha-ha, the computer I’m sitting in front of. Picture the screen, which is a small tube TV, go completely blank, save for a white dot fizzing in the middle, which contained the sum total of my research paper, then fades out. Backups. Backups? Backups?! Backups! Backups! Backups . . . backups . . . I tell mom I hate her, and I love her, and then I start retyping the paper.

Lyrics in songs I've noticed.
Red Velvet

• Queendom

Oh hey! In the same dream
It kept calling us
Wonderland beyond distant memories
...........
Cntd
We we we strong, nothing missing
Wake up, the answer is Simple
Be Boss, blow the Whistle
The bigger world is noticing you.
Shall we have a festival? I hold your hand.
We've been waiting for this moment. Spread your wings and be yourself.
Come play at My carnival.
Climax? It starts now.
Watch out! We are making the rules.
......
It’s now or never, we got forever.
Sappy
;
You're sobbing and being pessimistic
You're hesitating again, you can't choose
Writing poems in your note, your hobby is sentimental
Look, now it's time to open the door
........
Tell me, which do you love?
It's not bad thing to dream
It's not a fairytale, it's the real world
What are you gonna do? Which one are you
gonna pick?
Reality or fantasy, adolescent boy?
I'm still clearing dating simulation games
using the manual
I'm still a long way from real love
.......
It's not that I don't like it
Escape from being just two-dimensional
Which one do you love?
Tonight let me know your true feelings
You'll really grow up then
Tell me, which one do you love?
(In the video the lyrics are "Logging out from delusion" for a part of it.)
That's not even getting into the imagery in the video.
Feel My Rhythm
Blowing up this fancy ball
We're back, cute chaotic delight
This is gonna be a crazy night
Epic appearance to stunning greetings
Let's have a little fun
Don't be shy, Bae bae
Let the play start
(Birds and wings everywhere in the video. Irene is shown offering strawberries to a gigantic statue of some sort which then falls towards her. Joy is seen standing in front of some type of being with wings, I can't tell what it would be though. Maybe one of us? Cant tell, she's, yeah she's blocking the shot)
Imagine anything
Now cruising into a weird, new dimension
A place I've never imagined appears unexpectedly
Don't miss this moment, baby.
Don't confine yourself to yesterday or tomorrow.
I'm truly free right now.
Come ride with me (Sway)
Let's go anywhere (Way)
I want to mess all the boundaries
In this world (Oh yeah)
When the world stops What a what a feeling Come take my hand (All right) A brand new Film We falling deep, You and I Next time, spin the clock Where should we go? Come on, let's start again You and I
Everglow
You used to be afraid of the dark night (ah yeah yeah) Hiding without anyone else knowing (ah yeah yeah) No one say happy ending You stayed silent and ran away (Here we go Here we go like)...
Knock Knock There’s a monster It’s growing larger, the black hole inside of you When you back uh? The howler has swallowed you, that’s the killer Don’t be afraid, hold my hand Your past is making you scared But know your power For the final time, be first You know that I come first I’m the winner winner winner Yes, it’s the last melody To save save save you (so don’t keep) Don’t be deceived by the lie That there is no light in this world Together we will Dream a dream that’s never been seen before Dream a dream that’s never been seen before (Ya) It’s ok if you fall (stand up) It’s you (hands up) Faster Stronger Better Gotta be the best Between night and day, around 5:30AM A war without loyalty will suffocate you, this is a foul Lies, darkness, truth, ecstasy, fantasy My candle makes you explode like a fireworks of melodies in the dawn Don’t be afraid, hold my hand Your past is making you scared But know your power For the final time, be first You know that I come first I’m the winner winner winner Yes, it’s the last melody To save save save you (so don’t keep) Don’t be deceived by the lie That there is no light in this world Together we will Dream a dream that’s never been seen before I’m breaking down the walls, crossing the lines I won’t shrivel up, I’ll jump over one step You got me now got me now two step Don’t slow it down slow it down Shout towards the sky that comes to you Hold onto the key of hope...
Bon bon chocolate

go up to the sky

.
Avenged Sevenfold
Hate to twist your mind, but God ain't on your side
Flesh is burning, you can smell it in the air 'Cause men like you have such an easy soul to steal (steal) So stand in line while they ink numbers in your head You're now a slave until the end of time here Nothing stops the madness turning Haunting, yearning, pull the trigger You should've known the price of evil And it hurts to know that you belong here, yeah Ooh, it's your fuckin' nightmare While your nightmare comes to life
You've been lied to just to rape you of your sight And now they have the nerve to tell you how to feel (feel) So sedated as they medicate your brain And while you slowly go insane they tell you Given with the best intentions Help you with your complications
You should've known the price of evil And it hurts to know that you belong here, yeah No one to call, everybody to fear Your tragic fate is lookin' so clear, yeah Ooh, it's your fuckin' nightmare Ha, ha, ha, ha
And I know you hear their voices (calling from above) And I know they may seem real (these signals of love) But our life's made up of choices (some without appeal) They took for granted your soul And it's ours now to steal As your nightmare comes to life
Afterlife
Like walking into a dream, so unlike what you've seen So unsure but it seems, 'cause we've been waiting for you Fallen into this place, just giving you a small taste Of your afterlife here so stay, you'll be back here soon anyway
A place of hope and no pain, perfect skies with no rain Can leave this place but refrain, 'cause we've been waiting for you Fallen into this place, just giving you a small taste Of your afterlife here so stay, you'll be back here soon anyway This piece on Earth's not right (with my back against the wall) No pain or sign of time (I'm much too young to fall) So out of place, don't wanna stay, I feel wrong and that's my sign I've made up my mind Give me your hand but realize I just wanna say goodbye Please, understand I have to leave and carry on my own life
Creating God
Standing in the shade of altruism, answering the call Came a modern messiah to save us all Something far beyond the work of fiction, Positronic brain A world that's void of all the anguish and suffering, pain
We're creating god, master of our designs We're creating god, unsure of what we'll find
Never held a high regard for Darwin, selection takes too long A little kick in the pool shouldn't do us wrong Devouring the very last invention man would ever need But exponential growth is a frightening thing, indeed
Sometimes when I look up to the sky I have to wonder are we "summoning the demon" you and I?
Have you noticed that I'm needin' it more now, more than it needs me Got a couple of billion that seem to agree Surfing in an artificial dimension, but we're not alone Now the master has become just a stepping stone, oh
We're Creating, God.
Beast and the Harlot
This shining city built of gold A far cry from innocence There's more than meets the eye around here Look to the waters of the deep A city of evil There sat a seven headed beast Ten horns raised from his head Symbolic woman sits on his throne But hatred strips her and leaves her naked The beast and the harlot
The city dressed in jewels and gold Fine linen, myrrh and pearls Her plagues will come all at once As her mourners watch her burn Destroyed in an hour Merchants and captains of the world Sailors navigators too Will weep and mourn this loss With her sins piled to the sky The beast and the harlot
The day has come for all our sinners If you're not a servant, you'll be struck to the ground Flee the burning, greedy city Looking back on her to see there's nothing around
The day has come for all our sinners If you're not a servant, you'll be struck to the ground Flee the burning, greedy city Looking back on her to see there's nothing around I don't believe in fairy tales and no one wants to go to hell You've made the wrong decision and it's easy to see Now if you wanna serve above or be a king below with us You're welcome to the city where your future is set forever
Welcome to the family
Hey kid (hey kid) Do I have your attention? I know the way you've been living Life's so reckless, tragedy endless Welcome to the family Hey There's something missing Only time will alter your vision Never in question, lethal injection Welcome to the family Not long ago you find the answers were so crystal clear Within a day you find yourself living in constant fear Can you look at yourself now, can you look at yourself? You can't win this fight
I try and help you with the things that can't be justified I need to warn you that there is no way to rationalize So have you figured it out now, so have you figured it out? You can't win this fight
And in a way it seems there's no one to call When our thoughts are so numb And our feelings unsure We all have emptiness inside, we all have answers to find But you can't win this fight!
I see you're a king who's been dethroned Cast out in a world you've never know Stand down, place your weapon by your side It's our war in the end, we'll surely lose but that's alright So have you figured it out now, so have you figured it out?
Bat Country
So sorry you're not here I've been sane too long, my vision's so unclear Now take a trip with me But don't be surprised when things aren't what they seem
You've been breakin' down for far too long Far too many moons since you felt well and strong You see, you could say goodbye but you don't have to die Not ever
Engineer the wires to your brain Architect a code so you won't feel the pain With your family by your side and vigor in your eyes forever Live Forever I'm way up, a god in size, beyond the reach of mortals I shed my human side Father, oh father I stare at my reflection, have I lost that boy inside? Final paradigm What's it really mean to be a man? Think about your answer but please understand While it's natural to fear, I'll make it disappear forever I forever I'm way up, a god in size, beyond the reach of mortals I shed my human side Father, oh father I stare at my reflection, have I lost that boy inside? Final paradigm Singular I am I have the question if these thoughts are mine To live forever but did something in me die? I'm clawing my skin but I can't feel it inside I know the agony of pain would hurt so much better I'm way up, so far up Have I lost myself tonight? Mother, oh father Have you lost that boy you used to know?
Simulation
It seems I should have walked away Reverse the wager I've no means to pay Toto has pulled back the green tonight, in sight And blue pills coat with such disdain I wore the shades for so long That I've forgotten how to see The curtain rises but who dares to pull the strings
I know this might be hard for you to believe and all, But you only exist because we allow it I question all the voices in my head Are they mine or have I been misled? Total understanding doesn't seem to mean a thing When you can't see behind the silver screen, a figurine Can't you hear me scream? By the way of cosmic rays A subtle breakdown jarred the code display A simulation as I can tell, our cell Playing out a hopeless scene We stand to lose all our charm And faith just seems to wane A billion years can seem a stunningly short time You've been beaten down time and time again But still you find yourself at the center of it all I question all the voices in my head Are they mine or have I been misled? Total understanding doesn't seem to mean a thing When you can't see behind the silver screen, a figurine Can't you hear me scream? You hear me, you had one thing to do, one thing And you fucked it up, piece of shit Nurse, patient 666158 needs to be sedated We need 500 CCs of M Oh hello there, dearie I've been expecting you Posturing the way I feel Is truth only what we believe is real? Marvel the sketches that paint the night, starlight And take a breath before it's all erased away
Their song Angels; Waking the Fallen, Sounding the Seventh Trumpet.
Everglow:
Pirate
Yeah EVERGLOW Gonna be mad lunatic, girl When the mysteriously changed moon comes A show that will start suddenly In secret, yeah, dance I want it Ddi-dam-bam-bam, bba-rira-bam-bam A paradise found in a whole new world that is out of sync ‘Cause I’m a pirate, yeah, yeah A pirate, yeah, yeah A pirate, yeah, yeah Now let me introduce myself I am a fleet I Start this voyage Towards the moon mist Yeah, let me introduce myself...
Twenty four hours, the light disappears Overnight, night, overnight During the night when the dazzling starlight shines Ayy, lift the anchor Girls all over the world Dance tonight And we could be anything, anything now Go crazy, no doubt Rowin’ for the Crown Waving the flag, yeah...
All the way, all the way, all the way The riot we made All the way, all the way, all the way Can’t ever stay quiet Girls all over the world Run tonight Just get on board ‘Cause I’m a pirate, yeah, yeah A pirate, yeah, yeah A pirate, yeah, yeah Now let me introduce myself I am a fleet Start this voyage Towards the moon mist Yeah, let me introduce myself Ahoy! Sing a song now The hidden moon festival Well, shiver me timbers (Aye-aye) Watch this night together Last chance, get on board Approaching tsunami, disappearing afternoon Everyone falls asleep under these waves Yeah, I’m making the moves During the night when the dazzling starlight shines Ayy, lift the anchor Girls all over the world Dance tonight And we could be anything, anything now Go crazy, no doubt Rowin’ for the crown Waving the flag, yeah (Oh woah) All the way, all the way, all the way The riot that we made (Oh yeah) All the way, all the way, all the way Can’t ever stay quiet Girls all over the world Run tonight Just get on board...
A letter from that future Together with that blinding light Trust me and follow me up to my ark...
Katy Perry and Nikki Manage
Michael Jackson's Best Tracks
"Swish Swish" lyrics Katy Perry Lyrics Play "Swish Swish" on Amazon Music Unlimited (ad) "Swish Swish" (feat. Nicki Minaj)
They know what is what But they don't know what is what They just strut What the fuck?
[Katy Perry:] A tiger Don't lose no sleep Don't need opinions From a shellfish or a sheep Don't you come for me No, not today You're calculated I got your number 'Cause you're a joker And I'm a courtside killer queen And you will kiss the ring You best believe
So keep calm, honey, I'mma stick around For more than a minute, get used to it Funny my name keeps comin' out your mouth 'Cause I stay winning Lay 'em up like
Swish, swish, bish Another one in the basket Can't touch this Another one in the casket
Your game is tired You should retire You're 'bout as cute as An old coupon expired And karma's not a liar She keeps receipts
So keep calm, honey, I'mma stick around For more than a minute, get used to it Funny my name keeps comin' out your mouth 'Cause I stay winning Lay 'em up like
Swish, swish, bish Another one in the basket Can't touch this Another one in the casket (Let's go) Swish, swish, bish Another one in the basket Can't touch this Another one in the casket
They know what is what But they don't know what is what Katy Perry They just know what is what Young Money But they don't know what is what They just know what is what But they don't know what is what They just strut Hahaha, yo What the fuck?
[Nicki Minaj:] Pink Ferragamo sliders on deck Silly rap beefs just get me more checks My life is a movie, I'm never off set Me and my a-Migos (no, not Offset) Swish swish, aww I got them upset But my shooters'll make 'em dance like dubstep Swish, swish, aww, my haters is obsessed 'Cause I make M's, they get much less Don't be tryna double back I already despise you All that fake love you showin' Couldn't even disguise you (Yo, yo) Ran? When? Nicki gettin' tan Mirror mirror who's the fairest bitch in all the land? Damn, man, this bitch is a Stan Muah, muah, the generous queen will kiss a fan Ass goodbye, I'mma be riding by I'mma tell my ...Biggz, yeah that's the guy A star's a star, da ha da ha They never thought the swish god would take it this far Get my pimp cup, this is pimp shit, baby I only rock with Queens, so I'm makin' hits with Katy
[Katy Perry:] Swish, swish, bish Another one in the basket And another one and another one Can't touch this Another one in the casket And another one and another one
They know what is what Do they know? But they don't know what is what They just know what is what But they don't know what is what They just know what is what But they don't know what is what They just strut What the...
Red Velvet: Dumb Dumb Dumb Dumb Dumb Dumb Dumb Dumb –31
You need to “Beat It” That boy Michael Jackson ”Bad” I’m not your “Billie Jean” Don’t you “Leave Me Alone” But you’re so ambiguous, I want “Black Or White” I can’t give up on you, my “Man In The Mirror” “Why You Wanna Trip On Me” You’re too harsh Boy, you make me “Scream” Why am I like this? Well, your “Love really Never Felt So Good” It’s so electrifying that it’s like
Aespa
Next Level
aespa
I’m on the Next Level, yeah I follow the absolute rules Don't let go of my hand unity is my weapon I walk to KWANGYA I know your home ground Confront the threat Beat it, beat it, beat it
An unexpected black out The temptation is deep and strong (Too hot too hot) Letting go of the hands held together But I'll never give up
I'm on the Next Level I open the door over there Next Level I'll destroy you in thе end Until I reach the Nеxt Level KOSMO Next Level Beat it, beat it, beat it
La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la
I see the NU EVO The hostile suffering and sorrow Make you popping and evolve further That's my naevis, it's my naevis You lead, we follow After learning the feelings Watch me while I make it out
Watch me while I work it out Watch me while I make it out Watch me while I work it out Work it, work it, work it out
Even the unbearable despair Can't break my faith Watch me while I work it Even if a more painful trial comes I won't let go of your hand, oh
Never look back Don’t covet things of KWANGYA If the promises are broken, everything will be out of control The signal is becoming unstable since a certain point in time I'll destroy you in the end (We want it) Come on! Show me the way to KOSMO, yeah
A hallucination quest created by the Black Mamba Aespa, they want to separate out ae, that's right I lose my balance and my voice too In the illusion of being criticized and alienated Nævis we (Call ae, ae) Aespa's Next Level Open "P.O.S" This is the REAL WORLD, I'm awake We against the villain, what's the name? Black Mamba
I open the door in the end (Too hot, too hot) That light is like Fire to you I'm dying to know The next story that will unfold Huh!
I'm on the Next Level I open the door over there Next Level I'll destroy you in the end Until I reach the Next Level KOSMO Next Level Beat it, beat it, beat it
I'm on the Next Level I become stronger and free Next Level I'm no longer who I was at KWANGYA Next Level Feel me I'm like a beast Next Level Beat it, beat it, beat it Huh! https://lyricstranslate.com/en/next-level-next-level.html-0
Savage
[Intro: Karina] Oh my gosh Don't you know I'm a savage?
[Verse 1: Karina, Giselle] I'm a Killa who will break you, ae You're still hiding and hallucinating Beat you up, we holler I'm not afraid of you, you, hit you harder Push me in, deep fake on me To the unprepared stage Corner me in, fake on me Got everybody, mock up to me You shake me up so that I feel ashamed Cold spectators are collapsed, ae I can't stand you anymore, say, "No!"
[Refrain: Winter, Ningning] Wait and see, I'm a little savage Your dirty play I can't stand it any longer You want to break me Your hallucinations are becoming The reasons to construct you
[Pre-Chorus: Winter, Ningning] I'm a savage I'll break you into pieces yeah, oh I'm a savage I'll crush you, oh
[Chorus: Karina, Giselle, Karina & Ningning] Get me, get me now Get me, get me now (Zu-zu-zu-zu) Or I'll become more Savage (Zu-zu-zu-zu) Get me, get me now Get me, get me now (Zu-zu-zu-zu) Now I'm going to get you Now, I'm a savage Gimme, gimme now Gimme, gimme now (Zu-zu-zu-zu) I can see your words Your weakness Algorithm (Zu-zu-zu-zu) Steaming, it's steaming Steaming, it's steaming (Zu-zu-zu-zu) MA ae SYNK Don't bother me and bog off, savage (Zu-zu-zu-zu)
[Verse 2: Giselle, Winter, Karina] Mhm, everybody looks at me I'm used to it, I should take a step back I have to endure it like an adult I'm locked up in the glass I want to play such a horrible expectation I'm locked up in that hallucination frame I'm going to KWANGYA, game in Defeating a subtle alienation And making me drift apart from my ae Your satisfying trick We gone KWANGYA, game in Cut it down, my sword of light To you who is damaged It's a merciless punch
[Refrain: Ningning, Winter] See? I'm a little Savage I block your regenerative power I distract you, I leave you out Don't forget, this is KWANGYA I control your time and space Make it, break it
You are the one who protected me when I was in trouble My naevis, we love you My victory, one SYNK DIVE All the opportunities you've created I know your sacrifices, oh My naevis, we love you I know, we'll make sure to find your memories Let's meet surely after the resurrection
[Breakdown: Karina, Ningning] Savage Savage Yeah
Girls
Wake up! In a deadlier war Hold on with your feet(our feet are like hands back home) Hook! Black Mamba I am not afraid of you Hoot! I’ll break you It has changed when we entered KWANGYA Distorted æ more like me, like one A crazy presence that shows The ember that was left behind...
grew into a great evil When I helplessly isolate you Reunite we’re together again Whoo Whoo Attack Beat it Yah You’re not alone...
Shined sacrifice If you found the memory Can you show us? Can you show up? Right now, right here Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are together We Them Girls We Them Girls We Them Girls Meta universe exists now Parallel world All beings have meaning Part of my heart We use sympathetic words and share the body temperatures In the end, we only pursue the value of goodwill I finally became stronger I don’t get swindled or hurt It’s distorted It has started again Make sides Isolate you and me so that we can’t see ahead The algorithms that have been distorted by bad desires Use existence as the weapon and swallow with destruction Ah Evil was started at that moment Whoo Whoo Move out flip Yah I’m not alone I want to protect first encountering REKALL I will hug you so that you can feel Without SYNK DIVE Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are Together We Them Girls We Them Girls To face a peaceful day Inside the FLAT We laugh and love together With my friends Now I’m more curious about the future together with nævis Eventually we will probably meet nævis on the REAL MY WORLD Hold up! REAL MY WORLD Your existence is brighter than my reflection in the mirror Can you tell me? Until when, will we be together? Follow me (Bow down) Watch me (My skill) You will get surprised (Say wow) We coming Scream (Get loud) Listen (My sound) Call it (Upgrade) We coming Blooming in chaos (We Them Girls) And confronting fear, That courage (Ah Yeah) Whenever we are together We Them Girls We Them Girls We Them Girls Girls! Official translation. Play "Girls" on Amazon Music Unlimited (ad) Other Songs from Girls Album Girls Girls
Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Take a look at my WILDSIDE
By instinct, do it Come along with me Let us go down, down, down, down, da street
I didn’t go anywhere Now I could go everywhere Scared of change Just looking from the side
When you protect me and I’m breathing I’m forced into misery like a puppet, muppet I thought I was no good But behind weakness there was strength Words from loveless people, I don’t care about it anymore I will show you the truth
Never tell lies to myself any more Fly now to the place I want to be I’m never scared of going to the sky
Inside O-O-Out My wild side, my wild side The unseen me who has Overcome weakness (WILDSIDE) Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Which this WILDSIDE
Accepting myself that I don’t even know of I want to love more, believe myself more So I don’t get lost, Yeah
Starlight, slash the dark night already So bright, sparkle La-la-la-la-la
Inside O-O-Out My wild side, my wild side The unseen me who has Overcome weakness (WILDSIDE) Far away, far away Higher and higher To the place unseen
No one can stop me anymore Get set, go! Good-bye I’m not my old self Which this WILDSIDE
By instinct, do it Come along with me Let us go down down I will show you my wild side
https://youtu.be/Qpf26PtBXgo 😬 cya ❤️‍🩹😾🙀🙈
Somethings gonna give and it's not going to be me.

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I've been extremely lucky with this one *so far* - assays are still a major risk moving forward
Bullish in general because they're getting about 6 rigs in total by next month (aggressive drilling / potentially onto something) + the potential scale of this project (potentially very large / potentially 100mt+)
Bearish because the valuation is getting ahead of itself / getting too high based on a peer to peer comparison with other players. My guess is they're trading on a premium for various reasons including: SQM being a cornerstone investor, large scale project potential (not common), WA premium, + investors probably not calculating the MC correctly based on the ownership level?
Being overvalued in the heated lithium space isnt uncommon. Just look at WC8. Fully diluted WC8 has a market cap of $150M at 11c (HC is showing only ~$75M). And WC8 really has nothing to show for it other than 'potential'. It seems that as long as there is great potential, the market doesn't care about being overvalued or trading at a premium to peers (the assays would need to confirm the 'great potential' continues to exist).
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As for AZS, if the assays underwhelm it wont end nicely. If they're really good im betting on another pump higher
Im just letting it play out and taking it as it comes for now. I have room to play due to getting in early and only really risking some profits. I should probably be more responsible and derisk a little more
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Im also interested to know if i increased my profits by swing trading my position, or would have the traditional hold been better? Im betting on the swing trading giving better returns, but its way too hard to calculate and i cbf! Also some of the sells were de-risking events along the way, which would have been done with a traditional hold aswell